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WILDSCREEN FESTIVAL TANZANIA FILMMAKER CASE STUDIES: Lilian Anold

For our final Tanzanian filmmaker case study, we meet wildlife photographer and camera assistant Lilian Anold.

Carbon Offsetting – Wildscreen Festival Tanzania

Carbon Emissions  While celebrating and advancing natural world storytelling through film, it’s important to acknowledge …

First speakers announced for Wildscreen Festival Tanzania

Award-winning Tanzanian Filmmaker, Erica Rugabandana, unveiled as headline speaker; short doc “Chameleon Corridors” set for world premiere.

Bristol Champions Chimps

Following the huge success of Rise of the Warrior Apes, the Oscar-winning director James Reed returned to Uganda’s Ngogo Forest for another look at some of our closest living relatives, chimpanzees.

Chimp Empirewhich follows two rival troops of chimps, was previewed at a sold-out joint RTS West of England/ Wildscreen Network screening at the Watershed in Bristol, ahead of its release on Netflix last month.

The team spent 18 months filming a four-part series that required extensive research. “We spent months analysing every detail about every chimp known to the scien- tists,” explained Reed, “so we had these huge backstories from every individual chimp.”

They worked very closely with the Ngogo Chimpanzee Project, with Reed praising the scientists who “were involved on every level…. Every time we had a storyline that we were shaping out, we shared it with [Professor John Mitani].”

The production took a different approach from most natural history shows, by not being prescriptive about looking for specific behaviours. “We were focused purely on character history [shows], wouldn’t from the beginning,” said Reed. “Our characters led us into really interesting behaviours. We… [got] some incredible things that, from a behavioural point of view, haven’t been seen before.”

Much of Chimp Empire is shot handheld, setting it apart from other shows in the genre. “It’s an incredibly beautiful and well-shot series,” said Reed, “but it incorporates styles that, on some… blue-chip natural history [shows], wouldn’t make the cut.

“I think that many of the events we needed to tell the story were only possible to capture handheld…. It gives it a different feel.”

In the edit, Reed and his team experimented without voiceover, before settling on a script. “The style of the script lends itself to storytelling,” said the series producer, Callum Webster. Reed said the Oscar-winning actor Mahershala Ali was “one of the first, if not the first person, we approached”.

Documentary storytelling lends itself to debate about the accuracy of the narrative. “It is an authentic story; it is how it happened,” Reed said, “but, obviously, we make a lot of creative choices about what goes in and what doesn’t, so we are adapting the reality to a degree in terms of where we place emphasis and the words that we choose.”

Seraphina Allard-Bridge